As we've been reminded throughout the 2016 primaries, voters look for ‘authenticity’
in their political leaders. Insurgent candidates like Donald Trump and
Bernie Sanders are lauded for displaying it, while more establishment figures,
like Hillary Clinton, are said to be struggling to overcome an ‘authenticity
gap.’[1]
An ‘authentic’ politician is unspun, unscripted, unusual and engaging, a walking rebuke to the
tyranny of pollsters and PR consultants. While complaints
that politicians are packaged and over-cautious are certainly not without
merit, the concept of ‘authenticity’ in politics is, as Seth Masket has
written, 'frustrating' because it is ‘essentially meaningless.’ All public figures are, in some sense,
playing a role (which is not the same as dissembling or lying).[2] It
nonetheless remains a stubbornly durable cliché, probably because it speaks to a deeper yearning among voters for something perceived to be missing in the
political class.
Pat
Moynihan was ‘authentic.’ Journalists were irresistibly
drawn by his eccentricities and no newspaper profile could pass without some florid
effort by the author to capture them. In one of the first profiles published
about the then-freshman senator in 1977, Edward Burks noted the attention the
flamboyant Moynihan attracted when he rose to speak in the Senate: ‘Like John
Wayne walking into a Wild West saloon … a verbal brawler … his florid delivery,
flailing arms, and droll turn of phrase frequently bring on smiles and laughter
from his colleagues.’[3]
David
Remnick wrote in a 1986 profile of ‘the theater’ Moynihan had become: ‘the herky-jerky
Anglo-speech, the bow tie slightly askew, the tweedy caps and professorial
rambles.’[4] In 1990 James Traub wrote of ‘Moynihan’s oratorical style, a
peculiar sequence of plosives and mumbles and distended polysyllables sometimes
mistakenly considered British.’[5]
Pinstripes, bow-tie, and smoulder: Moynihan at a Chamber of Commerce-sponsored two-way television conference between business leaders and representatives of the Nixon administration, c.1970.
Tall and rangy (6’4” or thereabouts), a
frequent wearer of bow-ties and tweed bucket hats, and with a halting,
staccato speech pattern, Moynihan cut a strange and enthralling figure in the
often staid corridors of the Senate. A former ensign in the U.S. Navy, he responded to Senate roll call with
the sailor’s cry, ‘Yo!’ (‘“Here” seems a little too much like fifth grade, and
could give the Minority Leader ideas,’ he explained in a letter to William
Safire); he began his constituent newsletters ‘Dear Yorker,’ an archaic form of address
that Moynihan wanted to revive, though he eventually switched to ‘Dear New
Yorker’ after his staff voiced concerns that it made him appear addled; his annual report on New York State’s fiscal imbalance relative to the
federal government was called the ‘Fisc.’ after the feudal lands upon which the
Merovingian and Carolingian royal households levied taxes.[6]
Such idiosyncrasies made him
distinctive, even made it seem as though he rightly belonged to another age, as Remnick suggested, ‘an American
Edmund Burke taking dominion on the Hill.’ Peter Steinfels has argued that Moynihan created ‘a new public type … the professor in politics. He does not
suppress the professorial, he flaunts it. He has made it his style, just as Sam
Ervin was a “country lawyer” and various wealthy western politicians project themselves
as cowpunchers.’[7] Moynihan's professorial demeanour was as much of a construct as that of Ervin or those well-heeled Western cowpunchers (we're looking at you, George W. Bush), one that evolved and was cultivated over the
course of his life.
But to view Moynihan as a absent-minded college professor who had wandered genially into the halls of power is to miss part of the story. Moynihan’s identity, political and
personal, was more of a curious amalgam of ivory-tower academic and working-class tough. Most
newspaper profiles made at least passing reference to an impoverished childhood spent
shining shoes in Hell’s Kitchen, and an early career as a bartender and a
stevedore, before an education at City College New York (at that time free to
city residents), a stint as a Fulbright fellow at the London School of
Economics, and a spot on the staff of New York governor Averell Harriman, set
Moynihan on the path to Harvard, the Senate, and the confidence of presidents. The
man (and it usually is a man) who rises from humble origins to great things by
dint of grit and hard work is one of the oldest, and most potent, American myths. As Bob Strauss, former chair of the Democratic National Committee, reportedly used to joke, 'every politician wants every voter to believe he was born in a log cabin that he built himself.' Moynihan was certainly not averse to using that myth to his political advantage.
The truth was, of course, far more
complicated than that. As his biographer, Godfrey Hodgson has written,
Moynihan’s life story was not exactly one of the ‘the rags-to-riches tales of
Horatio Alger.’ Moynihan was born in Tulsa, Oklahoma and did not actually live
in Hell’s Kitchen until he was college-age. Though he was initially raised in
middle-class comfort in suburban Long Island, after Moynihan’s father walked
out, in 1937, the family were plunged into chronic financial insecurity.
‘Marriage broke up and down we went,’ he reflected later.[9]
In these years, young Pat and his brother Mike did work as shoeshine boys in
Times Square. As a senator, Moynihan enjoyed pointing out his old corner to journalists
while campaigning.[10]
The war saved the Moynihan family from a life of financial instability: Moynihan’s
mother, Margaret, got a job as a chief nurse in a war production factory, while
he sold newspapers, worked as a stock boy, and then a longshoreman, and ultimately
enrolled in the U.S. Navy.
Despite his later affectations, he
remained fiercely defensive of his working class roots. They marked him out, he
understood, from many of his contemporaries, in ways that he both embraced and
resented. He arrived to take the CCNY entrance test with his longshoreman’s
loading hook in his back pocket. ‘I wasn’t going to be mistaken for any sissy
college kid,’ he said.[11]
Of his classmates at Tufts University, he recalled that most ‘needed a good
swift kick in their blue-blood asses.’[12]
He carried this attitude into his Senate career. In 1990, one of his aides
observed, ‘There’s a certain touch of class warfare about Pat Moynihan.’ This
aide cited one instance when Moynihan received a $1,000 contribution from a
well-moneyed supporter with a suggestion that he might want to moderate his
staunchly pro-Israel stance. ‘No socialite is going to tell me how to do my
job,’ was his angry remark when he instructed his staff to return the cheque.[13]
Moynihan’s time in London – where he
spent a year in 1950-51 as a Fulbright scholar at the L.S.E. – was
transformational. The G.I. Bill and his scholarship guaranteed him a
healthy income and Moynihan thrived. He had a lifelong love of good clothes –
he was reportedly the only boy to show up to his junior prom in a tuxedo –
which he indulged in the tailor shops of London. An ungenerous New York Times retrospective published a
few months before Moynihan’s retirement from the Senate wrote of his
metamorphosis while in London from ‘self-consciously
working-class Irish roustabout’ into ‘an English dandy, replete with bowler
hat, monocle and umbrella.’[14]
In his enthusiasm to paint an unflattering portrait, the author fluffed some of
the details, as an upset Moynihan was quick to point out. ‘A monocle? Any fact
checker could have called me,’ he wrote in a letter to NYT publisher Arthur Sulzberger. ‘Do you
really suppose a student at L.S.E. in 1950 went about in a bowler hat carrying
an umbrella?’ he continued in another letter around a fortnight later.[15]
The monocle was fictional, but Moynihan
certainly took to wearing a brown derby hat. As late as 1967, according to one journalist,
he was carrying his handkerchief up his sleeve, ‘in the English manner.’[16]
He became a regular theatre-goer and attended numerous debates at the House of
Commons, absorbing from the MPs ‘some of the lingering mannerisms of Edwardian
England’ which he imported across the Atlantic.[17]
He kept a journal, to which he gave the modest title, “An Intellectual
History of Our Times: Being a Descriptive Journal of adventures &
meditations having occurred to the author during a Grand Tour of Great Britain,
Ireland & the Continent of Europe.” At the same time, he involved himself
in Labour Party activism and insisted that he was known as ‘a New York Democrat
who had some friends who worked on the docks and drank beer after work.’[18]
A dandy and a dockworker, then, a New York Irish boy who gleefully launched himself into the English establishment. Those
contradictory elements of Moynihan’s identity sat in uneasy tension throughout
his career. The Moynihan identity was an oxymoron in the original sense of the word: something that is simultaneously paradoxical and true. It fuelled his dislike of upper-middle-class liberals who he
blamed for trashing the traditions of the Democratic Party.[19]
Though he took pride in his erudition and his education, and though he seemed
set on proving the viability of a politics-as-seminar approach, to the end
Moynihan was determined not to be mistaken for a ‘sissy college kid.’
[1] S. A. Miller, “Authenticity
Gap Emerges as Major Challenge for Hillary Clinton in New Hampshire,” The Washington Times, August 8, 2015, <http://www.washingtontimes.com/news/2015/aug/18/hillary-clinton-authenticity-gap-emerges-as-major-/?page=all>.
[2] Seth Masket, “The
Bankruptcy of Authenticity,” Pacific
Standard, June 30, 2014, <http://www.psmag.com/politics-and-law/presidential-candidates-politics-bankruptcy-authenticity-84641>;
See also, Richard Skinner, “Against Authenticity,” Mischiefs of Faction, June 27, 2014, <http://www.mischiefsoffaction.com/2014/06/against-authenticity-by-richard-skinner.html>
[3] Edward C. Burks,
“Moynihan’s Flamboyance and Quick Wit Draw Attention to Washington Freshman,” New York Times, November 7, 1977.
[4] David Remnick, “The Family Crusader, Belying Labels,
Drawing Crowds & Loving It All,” Washington
Post, July 16, 1986.
[5] James Traub, “Daniel
Patrick Moynihan: Liberal? Conservative? Or Just Pat?” NYT, September 16, 1990.
[6] Letter, DPM to
William Safire, June 23, 1984, Papers of Daniel Patrick Moynihan, Manuscript
Reading Room, Library of Congress, Part II, Box 9; Daniel Patrick Moynihan,
Steven R. Weisman (ed.), Daniel Patrick Moynihan:
A Portrait in Letters of an American Visionary (New York, 2010), 387.
[7] Peter Steinfels, The Neoconservatives: The Origins of a
Movement (Rev. ed., New York, 2013), 114.
[8] NCC Staff, “The
Annotated Bill Clinton Convention Speech,” Constitution Daily, September 6,
2012, <http://blog.constitutioncenter.org/2012/09/the-annotated-bill-clinton-convention-speech/>
[9] Godfrey Hodgson, The Gentleman From New York: Daniel Patrick
Moynihan, A Biography (New York, 2000), 24. 28-29.
[10] Moynihan’s corner was
opposite Toffenetti’s restaurant, on the corner of Broadway and 43rd
Street, an establishment famous for its ham and sweets. Garry Wills, Lead Time, 135; Thomas Meehan, “Moynihan
of the Moynihan Report,” NYT, July
31, 1966.
[11] Thomas Meehan,
“Moynihan of the Moynihan Report,” NYT,
July 31, 1966.
[12] Gil Troy, Moynihan’s
Moment, 44.
[13] James Traub, “Daniel
Patrick Moynihan: Liberal? Conservative? Or Just Pat?” NYT, September 16, 1990.
[14] Jacob Weisberg, “For
the Sake of Argument,” NYT, November
5, 2000.
[15] Moynihan, Weisman
(ed.), Moynihan: A Portrait in Letters,
645-6.
[16] Timothy Crouse,
“Daniel Patrick Moynihan: Ruling Class Hero,” Rolling Stone, August 12, 1976
[17] Hodgson, Moynihan, 48.
[18] Troy, Moynihan’s Moment, 44.
[19] In a 1972 letter to
Alan Pfifer, president of the Carnegie Corporation, Moynihan tore into ‘liberal
elitists who live cosy upper-middle-class lives, secure in their salaries and
their sense of superiority to all but the very lowest classes.’ The attitude,
and the language, were typical. Letter, DPM to Alan Pfifer, March 8, 1972, DPM
papers, Part I, Box 128.
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